Walter Benjamin: “The Author as Producer” [p“Der Author als Produzent”, 1934], translated by Anna Bostock, in: Understanding Brecht (London: Verso, 1998), pp 85-103. Kan lastes ned her.

Claire Bishop: “Participation and Spectacle. Where are we Now?”  In Thompson, Nato, ed. Living As Form: Socially Engaged Art From 1991-2011. (Creative Time Books: New York and The MIT Press: Cambridge, 2012, pp 34-46.

Shannon Jackson “Quality Time: Social Practice Debates in Contemporary Art” in Shannon Jackson, Social Works: Performing Art, Supporting Publics (London and New York: Routledge, 2011). Page 43-75

Allan Kaprow “Notes on the Elimination of the Audience” in Bishop, Claire ed. Participation, London: Whitechapel/Cambridge: MIT Press, 2006. Page102-105.
Kan lastes ned her.

Allan Kaprow “Success and Failure when Art Changes” in Suzanne Lacy (ed.), Mapping the Terrain: New Genre Public Art, Seattle: Bay Press, 1995, pp. 152-158.

Grant Kester: “The Limitations of the Exculpatory Critique: A Response to Mikkel Bolt Rasmussen”, in: Field: A Journal of Socially-Engaged Art Criticism, no. 6, 2017.
Kan lastes ned her.

Grant Kester: “Autonomy, Antagonism and the Aesthetic, in Grant H. Kester, The One and the Many. Contemporary Collaborative Art in a Global Context (Duke University Press, Durham and London, 2011), pp19-65.

Suzanne Lacy: “Debated Territory: Towards a Critical Language for Public Art” in Suzanne Lacy (ed.), Mapping the Terrain: New Genre Public Art, Seattle: Bay Press, 1995, pp. 171-185.

Lucy Lippard: “Trojan Horses: Activist Art and Power”, in: Brian Wallis (ed.): Art after Modernism: Rethinking Representation (New York: The New Museum of Contemporary Art & David R. Godine, 1984), pp. 342-358.
Kan lastes ned her.

Andrea Phillips: “In Service: Art, Value, Merit and the Making of Publics” in Public Servants. Art and the Crisis of the Common Good (MIT Press 2016), edited by Johanna Burton, Shannon Jackson and Dominic Willsdon, pp. 207-218.

Nato Thompson, “Living as Form” in Thompson, Nato, ed. Living As Form: Socially Engaged Art From 1991-2011. (Creative Time Books: New York and The MIT Press: Cambridge, 2012), pp 16-34.

Ben Davis: “A Critique of Social Practice Art”.
Kan lastes ned her.

Trude Schjelderup Iversen: “Materialets tale”, i Trude Schjelderup Iversen ed. Materialets tale. Kunstens taktile språk, katalog for kunsten i Prinsens gate 26, Stortinget. KORO 2019.
Se her. Kontakt KORO for trykket utgave.

Metzger, Jonathan. 2010. “Strange Spaces : A Rationale for Bringing Art and Artists into the Planning Process.” Planning Theory 10(3), 213 – 238

Sachs Olsen, C. (2018) ‘Collaborative Challenges’ in Environment and Planning D: Society and Space, 36:2, p.273-293

Commissioned by OMA by Foundation Manifesta 12 Palermo “Palermo Atlas (English Ed.)”. Paperback, 418 pages, 17 x 21 cm, 2018 ISBN 9788899385439

Charles Landry “The Civic City In A Nomadic World (Hardback)”. Format Hardback | 240 pages, 2018 Publisher Netherlands Architecture Institute (NAi Uitgevers/Publishers) ISBN10 946208372X ISBN13 9789462083721